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What The Folk? EP

by Hatfield

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1.
hello my friend, I'm back again, I hope you're doing fine I've been alone, away from home with troubles on my mind caught beneath a jet-black sheet of worries, fear and doubt but I blew a kiss and I raised a fist and I battled my way out so make the call and tell them all the district's wide awake let's grab a brew, pick up the crew and re-arrange our fates 'cause old guitars and ragged bars may not help pay the rent but nights and days of restless haze will leave you burnt and bent so gather 'round, embrace the sound of these everlasting songs at least tonight forget the fight, join in and sing along we've all come to help you, son, once lost but now you're found we'll do our best, so take a rest, here's another round let's knock it down! so make a start and spill your heart and share your pain aloud we'll have a beer and we'll lend an ear and we'll figure something out now we ain't rich and life's a bitch, we struggle till we're sore but that bitch is nice and worth the price and too short to be ignored or at 85 you'll realize you've missed out on the fun so raise your glass and kill it fast, the best is yet to come there is no fate but what we make, that's what a wise man said let's start tonight, let's do it right, let's live before we're dead so gather 'round, embrace the sound of these everlasting songs at least tonight forget the fight, join in and sing along play a tune, ignite the room, plunge into the sound propose the toast that matters most, here's another round let's knock it down!
2.
the sun is beaming hot today, the weather turned out well if the temperatures rise any more this session could be hell but none of that should matter, 'cause we're ready for the show the streets are filled, the beer is chilled, it's time to rock 'n' roll we zig-zag through the genres, spicing up the mix just two fellas with guitars trying to get their kicks punk rock for the skateboard kids, folk songs for the wise girlie pop for all the girls who giggle walking by people love Bob Dylan, Johnny Cash and The Stones but no one seems to give a damn when I play one of my own I guess that's just the way it is when you play out on the street as long as the money covers the next round and something to eat Johnny's "Folsom Prison Blues" and Dylan's "Rolling Stone" tend to draw some folks in close who start to sing along some of them will thankfully drop some of their change into our empty "Campbells" can before they walk away the crowd is growing slowly, requests come pouring in sorry, sir, last time I checked flamenco was a sin instead we play one of my own to see how well it goes a crowd of ten decreases to a smiling 3-year-old people love Bob Dylan, Johnny Cash and The Stones but no one seems to give a damn when I play one of my own I guess that's just the way it is when you play out on the street as long as the money covers the next round and something to eat people love Bob Dylan, Johnny Cash and The Stones but no one seemed to give a damn when I played one of my own that's ok, I peeked into our can out on the street it was fun and the money will buy us another beer and something to eat
3.
Rhymin' 05:04
seven in the morning, working on a song the words ain't rhymin', everything sounds wrong head ache's getting worse now, body's feeling sore passed out on the couch the night before the last days weren't easy, some of them quite tough said some things that came out kinda rough you were going crazy, I was on my way we couldn't find the proper words to say I guess this happens now and then I know we'll pull through in the end times like these will help us see if anything should rhyme it's you and me we've been dodging troubles, running strong for years but at the moment, we're just grinding gears sorry for the silence, sorry for the tears sorry for the lack of both while listening to your fears I hate to see the sadness locked inside those eyes the tear-jerk frowns and suicidal sighs we came back with a vengence last time that we fell we've worked too hard to let this go to hell cross my heart and hope to die we'll re-ignite that long lost smile right next to you is where I'll be 'cause if anything should rhyme it's you and me beer can days and back seat nights cars and trains and red-eye flights gigs and shows throughout the land you and me going hand in hand zombie flicks and cheap-ass wine midday strolls and lazy-time no one else will rhyme like you no one else will ever do
4.
twelve twenty-two, here's to you last train home, roll along past the smokestacks of the power plant through the darkness of this nightly land twelve twenty-two, thank God for you your three-piece light will pierce the night tracks ablaze through misty haze move it steady down the line get me home and I'll be fine twelve twenty-two, thank God for you every car has it's scars they ride along till they get home the hipsters, the punks, the junkies, the drunks the lovers, the weepy, the night hawks, the sleepy the ganster crew, the rich-kid brew the plain-clothes cop, the uniformed jock twelve twenty-two, thank God for you she'll wait for me, most patiently lost in dreams, so it seems I'll kiss her gently on the head help her up and into bed twelve twenty-two, thank God for you tomorrow morn' I'll be worn there's no debate, it's far too late my teenage years died long ago the lack of sleep will take its toll twelve twenty-two, thank God for you next time I'll run to catch the eleven o one

about

Just a collection "somewhat-folk-songs"...
Recorded at home, do-it-yourself-style...

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released October 18, 2013

Words and Music by Mark Hatfield

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Hatfield Würzburg, Germany

Mark Hatfield from Würzburg, Germany. Folk-punking stages around the world with his trusty live-sidekick Konstantin Vey. Well, maybe not around the world. Just Germany. Come to think of it... Bavaria. OK, northern Bavaria...

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